Later, Garbo would participate in amateur theatre with her friends and frequent the Mosebacke Theatre. Garbo directed her friends in make-believe games and performances, and dreamed of becoming an actress. Garbo was a natural leader who became interested in theatre at an early age. She disliked school and preferred to play alone. Where we lived, all the houses and apartments looked alike, their ugliness matched by everything surrounding us. Such evenings are unforgettable for a sensitive girl, but also for a girl like me. We were filled with anxiety, as if there were danger in the air. We children would be talking in very low voices, or just sitting silently. On the other side of the room, my mother is repairing ragged old clothes, sighing. My father would be sitting in a corner, scribbling figures on a newspaper. It was eternally grey-those long winter's nights. They raised their three children in a working-class district regarded as the city's slum. The family was impoverished and lived in a three-bedroom cold-water flat at Blekingegatan No. He moved to Stockholm to become independent and worked as a street cleaner, grocer, factory worker and butcher's assistant. Garbo's parents met in Stockholm, where her father had been visiting from Frinnaryd. Garbo was nicknamed Kata, the way she mispronounced her name, for the first ten years of her life. Garbo had an older brother, Sven Alfred (1898–1967), and an older sister, Alva Maria (1903–1926). Garbo was the third, and youngest, child of Anna Lovisa (née Johansson, 1872–1944), who worked at a jam factory, and Karl Alfred Gustafsson (1871–1920), a laborer. Greta Lovisa Gustafsson was born in Södermalm, Stockholm, Sweden at 7:30 pm. She became an art collector whose paintings included works by Pierre-Auguste Renoir, Pierre Bonnard and Kees van Dongen. Īfter retiring, Garbo declined all opportunities to return to the screen, shunned publicity, and led a private life. In 1954, Garbo was awarded an Academy Honorary Award "for her luminous and unforgettable screen performances". But after the failure of Two-Faced Woman (1941), she retired from the screen at the age of 35 after acting in 28 films. Her career revived with a turn to comedy in Ninotchka (1939), which earned her a third Academy Award nomination. However, Garbo's career soon declined and she became one of many stars labelled box office poison in 1938. Many critics and film historians consider her performance as the doomed courtesan Marguerite Gautier in Camille (1936) to be her finest and the role gained her a second Academy Award nomination. She continued in films such as Mata Hari (1931), Susan Lenox (Her Fall and Rise) (1931), Grand Hotel (1932), Queen Christina (1933) and Anna Karenina (1935). By 1932 her success allowed her to dictate the terms of her contracts and she became increasingly selective about her roles. With Garbo's first sound film, Anna Christie (1930), MGM marketers enticed the public with the tagline "Garbo talks!" That same year she starred in Romance and for her performances in both films she received the first of three nominations for the Academy Award for Best Actress. Other well-known Garbo films from the silent era are The Mysterious Lady (1928), The Single Standard (1929) and The Kiss (1929). In 1928, Garbo starred in A Woman of Affairs, which catapulted her at MGM to its highest box-office star, surpassing the long-reigning Lillian Gish.
Garbo's performance in Flesh and the Devil (1927), her third movie, made her an international star.
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She stirred interest with her first American silent film, Torrent (1926). Mayer, chief executive of Metro-Goldwyn-Mayer (MGM), who brought her to Hollywood in 1925. Her performance caught the attention of Louis B. Garbo launched her career with a secondary role in the 1924 Swedish film The Saga of Gösta Berling. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema. Regarded as one of the greatest screen actresses, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. Greta Garbo (born Greta Lovisa Gustafsson 18 September 1905 – 15 April 1990) was a Swedish-American actress. Skogskyrkogården Cemetery, Stockholm, Sweden
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